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Old wooden gate with ivy – courtyard renovation in Bressanone.

I warmly invite you to open the door and step into the world of Slow Living. Renovation of an inner courtyard in Bressanone.

Horst Stuffer – Interior Designer & Process Facilitator

Conscious spaces. Clear. Creative. Real.

My experience combines craftsmanship, design and business expertise – creating concepts that are not only beautiful, but also realistic and efficient to implement.

Portrait of Horst Stuffer, interior designer & project lead based in Brixen.

I am Horst – wood in my veins, a head full of ideas, a heart for conscious living.


From my family business I learned the craft, through my studies I sharpened my thinking, and as CEO of several companies I gained a holistic perspective.

Today, all of this flows into my work as an interior designer and process facilitator.

I bring together tradition and innovation, clarity and creativity – and create spaces that express attitude. Sustainable. Functional. Aesthetic. Spaces that are more than beautiful: they become resonant spaces for your life.

My passion: Conscious Living.


I don’t want to save the world – but I refuse to design it carelessly. For me, it is essential that thinking, feeling, and acting are in harmony. Only then can dignity and meaning be preserved – in life as well as in space.

If you want spaces that provoke, touch and support you at the same time – then let’s bring your visions to life together.

Geometric shapes and interior design
Simon Erdman 1850: namesake and signpost
Vitality and authenticity of the materials for conscious living and working.

connected

alive

true

Horst Stuffer at work in the Brixen area: Sustainable design also in locomotion.
3 dimensions: Thinking-Feeling-Acting

"Horst Stuffer helped me a lot with the renovation of our apartment. Not only did he coordinate the work, but he also actively participated and delivered everything on time. I can only recommend him... everything was fantastic!“

 

Matthias Oberbacher

Antique cabinet with a lasting effect.

Erdman 1850

 

Here is the story of how I chose the name "Erdman" and how it confirmed that I was on the right path.

It was 21 November 2019 and a heavy snowfall had paralysed the entire region. There were widespread power cuts, road closures and factory shutdowns. Civil protection declared a state of emergency throughout South Tyrol. I still remember that day, watching the snow fall endlessly from my home in Varna, bringing back childhood memories and a smile to my face.

 

With a cup of coffee in my hand, I watched the snowflakes fall and thought about what to call my business. None of the previous names had convinced me and I had to make a decision. The new year was approaching and there was so much to do. After several unsuccessful brainstorming sessions, I decided to focus on something practical: finding a special kitchen cabinet. It had to be antique, the right size, match the existing colours and patterns and, of course, be reasonably priced. Not an easy task. It had to be a storage unit, a divider and a passageway to the living room, all while complementing a family heirloom.

 

With low expectations, I began to browse some online listings. Much to my surprise, within minutes I found an interesting ad. The photos were of poor quality, but the dimensions were perfect. Shortly afterwards, I set off alone to collect it, braving 15 cm of snow in my car. The building was dark, almost deserted, and the owners were in a hurry. I barely had time to have a quick look at the cabinet, but my gut told me to buy it. I negotiated the price and loaded it into the car.

 

Back home, my neighbour helped me move it inside. Once in place, the cupboard fitted perfectly into the apartment. When I gave it a thorough cleaning, I discovered a few flaws, but also an unmistakable charm that made me very happy. It seemed to have been made just for me. But the real surprise came when I noticed an inscription on the front: "Simon Erdman 1850", engraved in elegant curved letters.

 

This discovery raised a number of questions and curiosities in me: who was Simon Erdman? What did the date mean? Was it just the year it was made, or was there more to it? The more I thought about it, the more I wanted to know more about this name. Was it a coincidence that this cabinet had ended up in my home, or was there a deeper connection?

The initials seemed familiar, as if they held a hidden story waiting to be revealed. Driven by curiosity and a sense of adventure, I decided to investigate. Perhaps I would find clues in the archives or in the cabinet itself. Any clue could bring me closer to the truth.

 

This piece of furniture, bought on a snowy day, led me on a fascinating journey into the past, in search of the story of Simon Erdman and the year 1850. Sometimes it's the simplest things that lead us to the greatest discoveries. Although I found nothing about an "Erdman" living in my area, perhaps he was a merchant or a carpenter. In any case, he had a great aesthetic sense and remarkable craftsmanship - after all, the cabinet has survived for 170 years.

As an interior designer, I have a passion for natural materials and design that transcends time. The name 'Erdman', which means 'man of the earth', has a deep meaning for me: it represents being a child of the earth, feeling connected to it and responsible for it. For me it is a challenge, a vision and a mission. On that snowy November day I received a double gift. And I don't believe in coincidences.

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